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Free for Commercial Use

Sans Normal Odgap 5 is a very bold, narrow, monoline, upright, normal x-height font visually similar to 'Elephant' by Alias Collection; 'Aggregate' by Darren Scott Collection; 'Adhesive Letters JNL', 'Paint Store JNL', and 'Sign Stickers JNL' by Jeff Levine; 'MVB Diazo' by MVB; and 'Calps' and 'Calps Sans' by Typesketchbook (names referenced only for comparison).

Keywords: headlines, posters, branding, packaging, signage, punchy, friendly, retro, playful, sturdy, impact, compactness, approachability, headline clarity, blocky, rounded, compact, high-contrast counters, heavy terminals.


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A compact, heavy sans with thick, largely even strokes and rounded exterior curves paired with squared-off terminals. The letterforms feel tightly built, with small, dark counters and a strong vertical stance that creates a dense, poster-like color on the page. Curves are smooth and bulbous (notably in C/O/S), while joins and ends are clipped flat, giving a sturdy, blocky silhouette. Numerals and capitals share the same robust, compact proportions, reading best where weight and impact are prioritized over delicacy.

Well suited to short, high-impact settings such as headlines, poster typography, storefront/signage, packaging, and bold brand marks. It can work for brief subheads or callouts, but extended paragraphs will feel very dark due to the compact forms and tight internal spaces.

The overall tone is bold and upbeat, with a slightly retro, display-forward personality. Its rounded shapes keep it approachable, while the dense blackness and blunt endings add confidence and assertiveness. It reads as playful and attention-grabbing rather than neutral or technical.

The design appears intended to deliver maximum presence in a compact width, combining rounded geometry with blunt, cut terminals to stay friendly while remaining forceful. It prioritizes legibility at display sizes and a cohesive, chunky rhythm across uppercase, lowercase, and numerals.

Spacing appears generous enough to keep the dense shapes from clogging in text, but the small counters and heavy weight naturally increase ink density in longer lines. The ampersand and punctuation follow the same chunky, simplified construction, supporting a consistent, headline-oriented voice.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸