Font Hero

Free for Commercial Use

Sans Normal Pemol 4 is a very bold, wide, low contrast, upright, normal x-height font visually similar to 'Lydia Sans' by Craceltype; 'PF Bague Round Pro', 'PF Bague Sans Pro', and 'PF Bague Sans Std' by Parachute; and 'Gravita' by TipoType (names referenced only for comparison).

Keywords: headlines, posters, packaging, branding, signage, friendly, playful, bold, approachable, retro, friendly impact, playful display, retro warmth, brand presence, rounded, chunky, soft corners, bubble-like, compact.


Free for commercial use
Customize the font name

This typeface uses heavy, rounded forms with smooth curves and softened corners, creating a chunky silhouette throughout. Counters are generally open and circular, and terminals tend to finish bluntly rather than tapering, keeping the color dense and even. Uppercase shapes are broad and stable, while lowercase maintains a simple, single-storey construction (notably in a and g) with clear, uncomplicated joins. Numerals follow the same stout geometry, with round bowls and simple, sturdy construction that reads cleanly at larger sizes.

It performs best in attention-grabbing contexts such as headlines, posters, packaging, and brand marks where a friendly, high-impact voice is needed. The dense strokes and open counters also suit short phrases in signage and social graphics, especially when set with ample spacing and room to breathe.

The overall tone is warm and inviting, with a playful, slightly nostalgic feel reminiscent of mid-century display sans lettering. Its friendly roundness and heavy presence make it feel confident without becoming aggressive, leaning toward cheerful and informal communication.

The font appears designed to deliver a strong, approachable display voice built on rounded geometric foundations. Its emphasis on soft corners, big interior spaces, and simple constructions suggests an intention to stay highly legible at large sizes while projecting a fun, personable character.

The design’s softness comes from consistently rounded corners and generous curves rather than calligraphic modulation. Some glyphs show subtly individualized widths, which adds an organic, hand-shaped rhythm while keeping the overall texture cohesive and bold.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸