Font Hero

Free for Commercial Use

Sans Normal Piray 5 is a very bold, normal width, low contrast, italic, normal x-height font visually similar to 'Giriton' by Hazztype, 'Madani' by NamelaType, 'Neue Reman Gt' and 'Neue Reman Sans' by Propertype, 'Almarose' by S&C Type, 'Core Sans C' by S-Core, 'Crunold' by Trustha, and 'Cocogoose Classic' by Zetafonts (names referenced only for comparison).

Keywords: headlines, posters, packaging, logos, sports branding, playful, punchy, sporty, friendly, retro, impact, approachability, motion, display emphasis, rounded, soft corners, oblique, compact, bouncy.


Free for commercial use
Customize the font name

A heavy, oblique sans with rounded construction and soft, blunted terminals. The strokes are thick and largely uniform, with generous curves and slightly squarish counters that keep forms compact and sturdy. Letterforms lean forward consistently and show subtle, lively shaping—especially in diagonals and joins—giving the alphabet a bouncy rhythm rather than a rigid geometric feel. Numerals are bold and simplified with the same rounded, energetic presence.

Well-suited to short, high-visibility applications such as headlines, poster typography, branding marks, product packaging, and promotional graphics. It can also work for punchy UI labels or section headers where a friendly, energetic emphasis is desired, but it’s less ideal for long-form reading at small sizes due to its dense, heavyweight color.

The overall tone is upbeat and informal, with a confident, high-impact voice that feels energetic and approachable. Its forward slant and chunky curves suggest motion and friendliness, leaning toward a sporty, retro-leaning display mood rather than a quiet utilitarian one.

Likely intended as an attention-grabbing, friendly display italic that combines strong weight with rounded forms for immediate impact. The forward-leaning stance and compact, soft-edged shapes aim to convey motion and approachability while maintaining a solid, contemporary sans structure.

Spacing appears on the tight side in text, and the heavy weight plus oblique stance can make long passages feel dense; it reads best when given room through larger sizes or increased tracking. The design maintains strong consistency across uppercase, lowercase, and figures, emphasizing rounded silhouettes and punchy, compact counters.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸