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Free for Commercial Use

Sans Other Myriy 1 is a very bold, normal width, low contrast, italic, normal x-height font visually similar to 'Stallman Round' by Par Défaut and 'Block' by Stefan Stoychev (names referenced only for comparison).

Keywords: sports branding, gaming, headlines, posters, logotypes, sporty, techno, aggressive, dynamic, futuristic, impact, speed, display, branding, futurism, rounded corners, oblique, compact, angular, stencil-like.


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A very heavy, oblique sans with compact, squared-off forms and generously rounded corners. Strokes are consistently thick with minimal contrast, and the outlines favor chamfered cuts and notched joins that create a slightly segmented, almost stencil-like feel in places. Counters are small and mostly rectangular, and many terminals end in flat, angled cuts that reinforce speed and forward motion. Overall spacing appears tight and the texture is dense, producing a strong, blocky rhythm in both uppercase and lowercase.

Best suited to large-scale display use such as sports branding, esports/gaming titles, racing or action-themed posters, and punchy promotional headlines. It can also work for short logotypes or wordmarks where a bold, speed-driven aesthetic is desired. For long text or small UI labels, the dense weight and tight apertures may be less comfortable than a simpler sans.

The font conveys a fast, competitive tone with a distinctly futuristic, arcade-and-racing energy. Its weight and slant make it feel forceful and action-oriented, while the rounded corners keep it from reading as sharp or industrially cold. The result is a confident, high-impact voice suited to energetic branding and display messaging.

The design appears intended to deliver maximum impact with a streamlined, speed-forward silhouette. The oblique stance, compact counters, and consistent heavy strokes suggest a focus on headline visibility and a cohesive, stylized look for energetic themes rather than neutral text setting.

Uppercase characters lean toward wide, solid silhouettes with small interior apertures, while lowercase maintains the same geometric, cut-corner logic for consistency. Numerals are similarly blocky and slanted, designed to match the letterforms in texture rather than stand apart. At smaller sizes the tight counters and heavy mass may reduce clarity, but at display sizes the distinctive cut details become a defining feature.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸