Font Hero

Endless Fonts
Free for Commercial Use
Download Now

Sans Other Lysi 5 is a very bold, normal width, low contrast, upright, normal x-height font visually similar to 'Boomer Town' by Almarkha Type and 'Sebino Soft' by Nine Font (names referenced only for comparison).

Keywords: posters, headlines, packaging, signage, logos, industrial, utilitarian, military, stencil, rugged, impact, stencil effect, labeling, graphic texture, bold branding, rounded, modular, chunky, cutout, high-impact.


Free for commercial use
Customize the font name

A heavy, rounded sans with a clear stencil construction: most letters are formed from broad, pill-like strokes interrupted by consistent cutouts and bridges. Counters are simplified and often split, producing strong black shapes and a modular rhythm across the alphabet. Terminals are predominantly rounded, joins are sturdy, and spacing is generous enough to keep the dense forms from clogging at display sizes. The overall texture is bold and uniform, with distinctive, engineered-looking gaps that define the style more than stroke modulation.

Best suited to display applications such as posters, headlines, branding marks, packaging, and wayfinding or product labeling where a bold stencil look is desirable. It performs especially well when set large, where the cutouts read crisply and contribute to a distinctive graphic texture.

The font conveys an industrial, utilitarian tone—suggesting labeling, equipment markings, and durable signage. Its stencil breaks add a tactical, mechanical character, while the rounded corners soften the feel, keeping it more approachable than strictly militaristic stencils.

The design appears intended to deliver a high-impact stencil aesthetic with rounded, modernized forms—prioritizing bold presence and a cohesive, modular system of bridges for immediate recognizability in display contexts.

Several glyphs lean on repeated structural motifs (vertical pills, curved segments, and central bridges), giving the set strong visual consistency. The stencil joins are thick and intentional, but the internal cutouts create lively negative spaces that can become a key part of the design when used large.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸