Font Hero

Free for Commercial Use

Stencil Wara 4 is a very bold, normal width, medium contrast, upright, tall x-height font visually similar to 'Praxis Next' by Linotype (names referenced only for comparison).

Keywords: posters, headlines, packaging, labels, signage, industrial, military, rugged, utilitarian, retro, stencil marking, industrial display, bold branding, utilitarian signage, blocky, rounded corners, ink-trap, high impact, chunky.


Free for commercial use
Customize the font name

A heavy, block-based stencil with rounded corners and softened terminals. Letterforms are built from broad verticals and compact bowls, with consistent stencil breaks that read as purposeful bridges rather than incidental gaps. Counters tend to be tight, giving the face a dense, high-ink silhouette, while selective notches and cut-ins add a slightly worn, tool-cut feel. The overall rhythm is sturdy and even, with simplified geometry and a strong emphasis on vertical strokes.

Well-suited to display settings where an industrial stencil look is desired: posters, album or event graphics, packaging, product labels, and wayfinding or workshop-style signage. It excels in short, high-impact phrases and titling where the broken strokes contribute to brand texture and attitude.

The font conveys an industrial, no-nonsense tone with clear associations to labeling, equipment marking, and utilitarian signage. Its blunt shapes and deliberate breaks feel rugged and authoritative, while the rounded edges keep it approachable rather than harsh. The result reads as retro-functional—practical, tough, and graphic.

This design appears intended to deliver a bold, immediately recognizable stencil voice with a practical, manufactured character. The consistent bridges and rounded, compact construction suggest a focus on durability and legibility in bold display applications, echoing markings made by stencils, paint, or cut-out templates.

At text sizes the stencil bridges remain prominent, creating a distinctive texture across lines and making the type feel like applied paint or cut stencils. The density of the forms and relatively small openings suggest it will look best when given ample size or spacing, especially in longer lines.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸