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Free for Commercial Use

Sans Superellipse Dubud 3 is a bold, normal width, low contrast, italic, normal x-height font visually similar to 'Glober' by Fontfabric, 'Carnac' and 'Carnas' by Hoftype, 'Univia Pro' by Mostardesign, 'Core Sans M' by S-Core, 'Gram' by Typesketchbook, and 'Sommet Rounded' by insigne (names referenced only for comparison).

Keywords: branding, sportswear, ui labels, headlines, posters, dynamic, sporty, confident, contemporary, techy, forward motion, modern utility, friendly strength, geometric clarity, rounded, oblique, soft corners, compact curves, high legibility.


Free for commercial use
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A rounded, oblique sans with smooth, superellipse-like curves and softly squared counters. Strokes stay evenly weighted, with rounded terminals and gently flattened curves that give letters a compact, engineered feel. The italics are built into the forms rather than mechanically slanted, producing steady forward motion and a consistent rhythm. Apertures are moderately open and the overall spacing reads tidy and controlled, supporting clear word shapes in text.

This style works well for branding and identity systems that need a fast, contemporary voice, as well as sportswear or performance-themed graphics. The strong oblique stance and compact geometry make it effective for headlines, posters, and short display copy. It can also suit UI labels and wayfinding-style applications where a rounded, modern sans is desired.

The overall tone feels energetic and modern, combining friendliness from the rounded geometry with a purposeful, performance-oriented slant. It reads as confident and streamlined, leaning toward a contemporary tech or athletic sensibility rather than a formal or editorial one.

The design appears intended to deliver a modern, forward-leaning sans that stays approachable through rounded geometry while maintaining a tight, engineered structure. The consistent stroke weight and controlled proportions suggest an emphasis on clarity and impact across display and short text settings.

Round letters like O and Q appear more like rounded rectangles than true circles, reinforcing the geometric, industrial character. Diagonals and joins (notably in K, V, W, and X) are clean and sturdy, and the numerals match the same rounded, forward-leaning construction for a cohesive set.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸