Sans Superellipse Udrak 7 is a bold, normal width, low contrast, italic, normal x-height font visually similar to 'Cybersport' by Anton Kokoshka (names referenced only for comparison).
Keywords: sports branding, headline, posters, gaming ui, product labeling, sporty, techno, dynamic, futuristic, confident, speed emphasis, modern branding, display impact, ui accent, sports tone, rounded corners, oblique slant, compact, square-rounded, aerodynamic.
A slanted sans with squared, superellipse-like counters and generously rounded corners. Strokes are sturdy and even, with a slightly condensed, forward-leaning rhythm that keeps letters compact without feeling cramped. Curves and joins are smoothed into rectangular arcs, producing consistently soft terminals and a streamlined silhouette across both uppercase and lowercase. Numerals follow the same boxy-rounded logic, with clear, open shapes and a stable, uniform texture in text.
Well-suited for sports identities, automotive or tech-forward branding, and attention-grabbing headlines where speed and precision are desired. It also fits UI accents in gaming or consumer electronics, as well as packaging and labels that benefit from a compact, high-impact look. For longer text, it works best at comfortable sizes where the tight, slanted forms can breathe.
The overall tone is fast, modern, and performance-minded, evoking speed, equipment, and contemporary interfaces. Its rounded-rect geometry adds a friendly polish to an otherwise assertive, engineered voice, balancing approachability with momentum.
The design appears intended to deliver a modern, aerodynamic sans that feels engineered and contemporary, using rounded-rectangle construction to maintain a cohesive, branded look across letters and numerals. The italic slant and compact proportions emphasize motion and impact for display-oriented applications.
Uppercase forms feel upright and sturdy with minimal ornamentation, while the lowercase introduces more distinctive, angled constructions that reinforce the italic flow. Counters tend toward squarish ovals, and the spacing reads slightly tight, emphasizing a dense, energetic word image.