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Free for Commercial Use

Sans Normal Logeg 4 is a very bold, normal width, low contrast, italic, normal x-height font visually similar to 'FF Good' by FontFont, 'Whitney' by Hoefler & Co., 'Morandi' by Monotype, 'Akwe Pro' by ROHH, 'Elysio' by Type Dynamic, and 'LFT Iro Sans' by TypeTogether (names referenced only for comparison).

Keywords: headlines, posters, branding, sportswear, packaging, sporty, friendly, punchy, retro, impact, motion, approachability, headline power, rounded, soft corners, chunky, compact, high-impact.


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A heavy, slanted sans with broad, rounded forms and compact internal counters. Strokes are consistently thick with minimal modulation, and terminals are generally blunt with softened corners, giving letters a sturdy, molded feel. The italic angle is pronounced and the shapes lean into simplified geometry—round letters read as squarish ovals, while diagonals and joins stay dense and tightly spaced. Numerals and capitals share the same blocky, high-mass construction, producing strong, uniform color in headlines.

Best suited to large-scale display uses where weight and slant can communicate motion and emphasis—headlines, posters, event graphics, and brand marks. It also fits packaging and apparel-style applications that benefit from a compact, high-contrast-in-mass look. For extended text, it will perform best in short bursts and larger sizes due to the dense counters and heavy overall color.

The overall tone is energetic and extroverted, combining a sporty forward-lean with a friendly softness from the rounded edges. It feels bold and assertive without becoming sharp or aggressive, suggesting casual confidence and upbeat momentum.

The design appears intended to deliver maximum visual impact with a forward-driving italic stance, pairing simplified, rounded construction with a dense texture for strong readability at display sizes. It aims to feel contemporary and approachable while still projecting strength and momentum.

The rhythm is dense and compact, with relatively small counters in letters like a, e, and g, which increases impact but can reduce clarity at smaller sizes. Uppercase forms are especially sturdy and poster-like, while the lowercase keeps a simple, workmanlike structure that maintains the same muscular texture.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸