Hollow Other Ibzo 5 is a light, normal width, low contrast, italic, normal x-height font.
Keywords: posters, headlines, logotypes, packaging, stickers, playful, sketchy, retro, technical, quirky, display impact, hand-drawn texture, retro flavor, craft feel, outlined, hatched, rounded, monoline, stencil-like.
A right-leaning, outlined display face built from rounded-corner letterforms with a consistent monoline contour. Each glyph is hollowed and filled with irregular horizontal hatch bands and occasional internal breaks, creating a hand-drawn, cutout texture while keeping the outer silhouette legible. Terminals are softly squared and corners are generously rounded, with simplified shapes and compact counters; numerals and capitals feel slightly more rigid while lowercase retains a casual, bouncy rhythm. Spacing appears moderately open for an outline style, but the interior striping adds visual density and a vibrating texture at text sizes.
Best suited to short, prominent text where the hollow outline and hatched fill can read as a deliberate texture—posters, event headlines, branding marks, packaging callouts, and merch/sticker-style graphics. It can work for playful UI accents or section headers, but the interior striping may get busy in small sizes or dense paragraphs.
The hatched, hollow construction gives a doodled, DIY energy—part notebook sketch, part sporty retro labeling. Its forward slant and rounded forms read friendly and kinetic, while the stripe fill hints at technical drafting or marked-up signage. Overall it feels intentionally imperfect and characterful rather than polished or corporate.
The design appears intended as an expressive outline italic with an integrated hatch pattern to simulate hand shading or cut-paper striping. It aims to combine clear, rounded silhouettes with a distinctive internal texture for instant display impact and a casual, crafted tone.
The interior hatching is not perfectly uniform across glyphs, which adds charm but can create localized dark spots in words (notably in more complex letters). The outline remains the primary structure, so the type holds together best when the textured fill has enough resolution to be seen clearly.