Sans Other Agnu 5 is a very bold, narrow, low contrast, upright, tall x-height font visually similar to 'Campione Neue' by BoxTube Labs; 'Karibu' by ROHH; 'Amsi Pro', 'Amsi Pro AKS', and 'Sans Beam' by Stawix; and 'Ansage' by Sudtipos (names referenced only for comparison).
Keywords: headlines, posters, sports branding, packaging, signage, industrial, sporty, punchy, compact, retro, space saving, high impact, graphic branding, industrial flavor, blocky, condensed, stencil-like, squared, heavyweight.
A compact, heavy sans with blocky, squared-off construction and tight interior counters. Curves are simplified into rounded rectangles and straight segments, with blunt terminals and minimal modulation. The lowercase maintains a large x-height and short ascenders/descenders, while overall widths stay compact and space-efficient. Several forms show small notch-like cut-ins and stepped joins (notably in letters like S, a, and e), giving the set a slightly engineered, stamped look. Numerals follow the same chunky geometry, reading clearly in large sizes.
Best suited to headlines, posters, and branding systems that need compact, high-impact letterforms. It can work well for sports or industrial-themed identities, labels, and short calls-to-action where dense, dark typographic color is an advantage.
The tone is bold and utilitarian, with an athletic, poster-ready immediacy. Its compact weight and squared shaping feel industrial and a bit retro, evoking signage, packaging, and sports graphics where impact matters more than delicacy.
This font appears designed to deliver maximum impact in minimal horizontal space, using simplified, squared geometry and a consistent heavy stroke to ensure strong presence. The notch-like details suggest an intentional, engineered twist to differentiate it from more conventional condensed sans faces.
The design’s rhythm is driven by uniform stroke thickness and tight apertures, producing strong color and dense texture in lines of text. The distinctive notches and squared curves add personality but also make the face feel more display-oriented than neutral.