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Free for Commercial Use

Sans Superellipse Idmit 6 is a very bold, narrow, low contrast, upright, normal x-height font visually similar to 'Akkordeon' by Emtype Foundry, 'Rhode' by Font Bureau, 'Kontesa' by FoxType, 'MNSTR' by Gaslight, 'Otoiwo Grotesk' by Pepper Type, 'Movida' by ROHH, and 'Winner Sans' by sportsfonts (names referenced only for comparison).

Keywords: headlines, posters, sports branding, packaging, signage, industrial, sporty, retro, assertive, compact, high impact, space saving, signage look, graphic punch, blocky, geometric, squarish, condensed, heavy.


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A dense, condensed sans with heavy, uniform strokes and tightly controlled counters. Curves resolve into rounded-rectangle (superellipse) shapes, giving bowls and terminals a squarish softness rather than true circles. Shoulders and joins are sturdy and minimally modeled, with short apertures and compact internal spaces that emphasize a solid, poster-like color. Proportions are tall and economical, and the overall rhythm reads as packed and punchy, especially in all-caps and numerals.

Best suited to headlines, posters, and branding where maximum impact is needed in limited horizontal space. It works well for sports and event graphics, packaging callouts, and bold signage-style applications, particularly at large sizes where its compact counters remain clear.

The tone is forceful and no-nonsense, with an industrial, athletic energy. Its compressed geometry and chunky silhouettes evoke scoreboard graphics, bold packaging, and retro display typography where impact and immediacy matter more than delicacy.

The design appears intended to deliver a compact, high-impact voice using superelliptical geometry and heavy, uniform stroke weight. It prioritizes strong silhouette and space efficiency, creating a sturdy display look that holds up in demanding, attention-driven layouts.

In text settings the heavy weight and narrow widths create strong vertical emphasis and a high-density texture; small counters and tight apertures can begin to close up at smaller sizes. The figures and uppercase forms feel especially robust and sign-like, reinforcing a utilitarian, attention-grabbing character.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸