Font Hero

Free for Commercial Use

Outline Komu 5 is a light, normal width, low contrast, upright, normal x-height, monospaced font.

Keywords: headlines, posters, signage, logotypes, packaging, art deco, neon, retro, display, technical, neon effect, display impact, retro signage, geometric consistency, patterned texture, inline, rounded, geometric, condensed, monoline.


Free for commercial use
Customize the font name

A monoline outline face built from a single outer contour with an internal inline detail that creates a double-stroked, tubular look. Forms are tall and compact with rounded corners, simple geometric construction, and consistently open counters that keep the letters airy. Capitals lean toward architectural, sign-like silhouettes (notably angular diagonals in A, V, W, X, Y), while the lowercase stays similarly streamlined with single-storey shapes and minimal modulation. Numerals follow the same narrow, upright rhythm, with clean, open figures and uniform stroke behavior across the set.

Best suited to display settings where the outline and inline detail can be appreciated: headlines, posters, storefront-style signage, event graphics, and branding marks. It can also work for short UI labels or titling where a retro/technical accent is desired, but it benefits from generous size and spacing to preserve the interior detail.

The overall tone reads as vintage and decorative, evoking marquee lettering, neon tubing, and early modernist display typography. Its precise repetition and symmetrical construction give it a slightly technical, engineered feel, while the inline detail adds a showy, illuminated character.

The design appears intended as a decorative, sign-inspired outline face that delivers an illuminated, inline aesthetic while maintaining a steady, uniform rhythm. Its consistent geometry and compact proportions suggest an emphasis on repeatable patterns and a strong, recognizable texture in words.

Because the design relies on outlines and interior gaps, color, background contrast, and reproduction method will strongly affect perceived weight and clarity. At small sizes the internal inline can visually close up, while at larger sizes it becomes a defining texture that adds rhythm across words.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸