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Serif Other Omhy 8 is a light, narrow, high contrast, upright, short x-height font.

Keywords: headlines, posters, book covers, branding, packaging, art nouveau, theatrical, vintage, whimsical, elegant, display impact, period evocation, ornamental elegance, distinctive branding, hairline serifs, flared stems, swash terminals, teardrop terminals, calligraphic contrast.


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A decorative serif with very tall proportions, long ascenders/descenders, and pronounced thick–thin modulation. Stems often finish in hairline, lightly flared serifs, while many curves and joins end in small teardrops or curled, hook-like terminals. The rhythm is vertical and airy, with narrow interior counters and a continuous interplay between solid black strokes and fine hairlines. Numerals and capitals follow the same stylized logic, mixing crisp verticals with ornamental curls and asymmetric detailing that reads consistently across the set.

Best suited to display applications where its tall silhouettes and decorative terminals can be appreciated—editorial headlines, posters, theatrical or event materials, book and album covers, and brand identities that want a vintage or Art Nouveau-inflected voice. It can also work for short pull quotes or titling, where its distinctive shapes won’t overwhelm extended reading.

The overall tone is refined and dramatic, leaning toward a late-19th/early-20th-century decorative feel. Its curling terminals and elongated silhouettes add a whimsical, slightly mysterious character, giving text a showcard-like elegance rather than a purely classical book-face neutrality.

The design appears intended to reinterpret traditional serif structures with ornamental, calligraphic endings and exaggerated vertical proportions, prioritizing personality and period flavor over neutrality. It aims to create instant visual identity through distinctive terminals, high contrast, and a refined, airy color on the page.

In running text the distinctive terminals and tight internal spacing create a lively texture that can feel ornate at smaller sizes, while the tall caps and extended descenders create strong vertical movement in headlines. Several forms feature unusual, characterful constructions (notably in capitals and select lowercase), which makes the design feel intentionally expressive and display-oriented.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸