Sans Superellipse Ogbih 13 is a very bold, normal width, low contrast, upright, normal x-height font visually similar to 'Chamelton' by Alex Khoroshok, 'CA Zentrum' by Cape Arcona Type Foundry, 'Hastrico DT Condensed' by DTP Types, 'Aspira' by Durotype, 'PF DIN Text' by Parachute, 'Delm' by Typesketchbook, 'Armature Neue Sans' by fontBoy, and 'Rehn Condensed' by moretype (names referenced only for comparison).
Keywords: posters, headlines, packaging, branding, stickers, playful, chunky, friendly, retro, bold, impact, approachability, retro display, logo friendly, playfulness, rounded, soft corners, compact, bubbly, cartoonish.
A heavy, rounded sans with superelliptical construction: bowls and counters read as softened rectangles, and terminals finish with broad, blunted ends. Curves are smooth and low-contrast, with a compact, solid color that holds together in large blocks of text. The lowercase shows single-storey forms for a and g, a short-armed r, and generally tight counters that emphasize weight and density. Overall spacing and rhythm feel sturdy and slightly compressed, with gently squarish rounds rather than geometric circles.
Best suited to display work where thickness and rounded forms can do the talking—posters, bold headlines, packaging, and playful brand marks. It can also work for short UI labels or callouts when a friendly, attention-grabbing voice is desired, but its dense counters and heavy strokes favor larger sizes over long reading.
The tone is upbeat and approachable, trading sharpness for softness and a toy-like, friendly mass. Its chunky silhouettes and rounded corners evoke a retro, poster-oriented sensibility that feels informal and energetic rather than corporate or technical.
The design appears intended to deliver maximum impact with minimal aggression: a stout, rounded display sans that stays highly legible while projecting warmth and humor. The superelliptical shapes and blunt terminals suggest a deliberate move toward approachable, logo-ready forms that reproduce cleanly in simple, high-contrast applications.
Round letters like O/C/G lean toward squarish rounds, which gives words a distinctive, slightly “puffy” texture. Numerals follow the same softened-rectangle logic, producing strong, legible figures that visually match the letters in weight and presence.