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Free for Commercial Use

Sans Contrasted Rakid 6 is a very bold, normal width, medium contrast, upright, normal x-height font visually similar to 'Jacoma' by Adam Fathony, 'Akkordeon' by Emtype Foundry, 'Rice' by Font Kitchen, 'PODIUM Soft' by Machalski, 'Sharka' by PeGGO Fonts, and 'Palo' by TypeUnion (names referenced only for comparison).

Keywords: posters, headlines, logotypes, packaging, sports branding, poster, sports, western, industrial, playful, impact, ruggedness, display, branding, vintage sign, blocky, chiseled, faceted, angular, compact.


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A heavy, block-built sans with faceted outer corners and small wedge-like cut-ins that give many strokes a chiseled, notched silhouette. Curves are largely squared off into rounded-rectangle forms, and counters tend to be tight, producing a dense, high-impact texture. Stroke endings are blunt and verticals dominate, while selective angular detailing introduces a subtle, graphic rhythm across the alphabet. The uppercase reads more uniform and monumental, while the lowercase shows more idiosyncratic, sign-like shapes and slightly uneven widths that add character.

Best suited to short, high-impact settings such as posters, headlines, badges, and brand marks where its chiseled shapes can read large. It also works well for packaging and event graphics that want a bold, rugged voice. For longer text, larger sizes and added letterspacing help maintain clarity.

The overall tone is bold and declarative, with a rugged, carved quality that feels at home in display-driven contexts. Its notches and faceting evoke athletic or workwear branding, with a hint of Western or vintage sign lettering. The texture comes across energetic and slightly mischievous rather than sleek or corporate.

The design appears intended to deliver maximum punch with a distinctive carved, notched silhouette, prioritizing presence and personality over neutral readability. Its consistent block geometry and stylized corner treatment suggest a display face built for branding and headline emphasis.

At text sizes the tight counters and heavy joins can close up, so it benefits from generous tracking and strong contrast against the background. Numerals share the same cut, blocky construction, reinforcing a cohesive, emblem-like feel across alphanumerics.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸