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Free for Commercial Use

Sans Superellipse Podar 9 is a bold, very narrow, low contrast, upright, tall x-height font visually similar to 'ATF Alternate Gothic' by ATF Collection, 'Fairweather' by Dharma Type, 'CF Blast Gothic' by Fonts.GR, and 'Neue Helvetica' by Linotype (names referenced only for comparison).

Keywords: headlines, posters, packaging, wayfinding, branding, industrial, condensed, modern, authoritative, utilitarian, space saving, high impact, clarity, modern utility, monoline, rectilinear, rounded corners, compact.


Free for commercial use
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A compact, tightly spaced condensed sans with monoline strokes and a pronounced vertical emphasis. Curves resolve into rounded-rectangle/superellipse shapes, giving bowls and counters a squared-off geometry with softened corners. Terminals are clean and largely unmodulated, with straight-sided stems and crisp joins; diagonals (as in A, V, W, X) stay narrow and efficient. The lowercase is built for density and clarity, with a tall x-height, short extenders, and simple single-storey forms where applicable; numerals are similarly narrow and sturdy.

This font suits space-constrained settings where impact is needed: headlines, posters, packaging panels, and compact branding lockups. Its sturdy, condensed forms also work well for wayfinding-style labels and interface headings where vertical space and line length are limited.

The overall tone is functional and assertive, with a contemporary, engineered feel. Its condensed rhythm and squared rounding suggest practicality and control rather than warmth, making it read as straightforward, urban, and workmanlike.

The letterforms appear intended to deliver maximum presence in minimal horizontal space, pairing an industrial, squared-round geometry with simple, consistent stroke behavior for reliable reproduction across sizes.

The design maintains consistent width economy across the set, producing a uniform texture in paragraphs and strong vertical striping in headlines. Rounded-square counters help preserve legibility at tight widths, while the dense proportions naturally increase perceived intensity in longer lines.

120px
108px
96px
84px
72px
64px
56px
48px
44px
40px
36px
32px
30px
28px
26px
24px
22px
20px
19px
18px
17px
16px
15px
14px
13px
12px
11px
10px
9px
8px
Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸