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Free for Commercial Use

Distressed Urpo 11 is a regular weight, narrow, medium contrast, upright, normal x-height font.

Keywords: posters, packaging, editorial, titles, branding, vintage, gritty, analog, utilitarian, no-nonsense, aged print, authenticity, retro tone, tactile texture, roughened, inked, pressed, imperfect, textured.


Free for commercial use
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A compact, typewriter-like serif with slightly bracketed slab features and a tight, economical footprint. Letterforms are upright with modest stroke contrast and a consistent, print-driven rhythm, while counters remain fairly open for readability. The defining trait is the rough, ink-worn perimeter: edges look abraded and slightly blobby in places, as if from letterpress wear or over-inked impact. Terminals, serifs, and joins show irregular bite marks and soft chipping that repeat consistently across caps, lowercase, and figures, creating a controlled distressed texture rather than random noise.

Well suited to headlines, posters, and title treatments where a worn-print character is desirable, as well as packaging and branding that leans into heritage or workshop aesthetics. It can also work for editorial pull quotes or short passages when the goal is a tactile, printed feel rather than pristine neutrality.

The font conveys an archival, workmanlike tone—evoking stamped paperwork, old forms, and printed ephemera that’s been handled and reprinted. Its texture adds grit and age, suggesting authenticity and a tactile, analog process. Overall it feels practical and straightforward, with a cinematic “found document” edge.

Likely designed to simulate aged mechanical printing—combining a straightforward serif structure with deliberate edge erosion to deliver instant patina. The intent appears to be reliable legibility paired with a built-in distressed atmosphere for themed graphics and retro-leaning layouts.

At larger sizes the distressed detailing becomes a prominent graphic element, while at smaller sizes the roughness can visually thicken joins and reduce crispness in tight spaces. Numerals and uppercase have a sturdy, sign-like presence, and the texture remains evenly distributed so paragraphs keep a coherent color without looking patchy.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸