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Free for Commercial Use

Serif Flared Toka 4 is a very bold, very wide, high contrast, upright, tall x-height font visually similar to 'Mervato' by Arterfak Project and 'Copperplate Gothic' by Linotype (names referenced only for comparison).

Keywords: headlines, posters, branding, packaging, editorial, confident, retro, assertive, traditional, impact, authority, headline texture, classic-modern blend, brand voice, bracketed, wedge serif, ink-trap feel, tight apertures, compact counters.


Free for commercial use
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A heavy, display-oriented serif with pronounced wedge-like terminals and subtly flared stroke endings that give the joins a carved, chiseled feel. The design shows strong thick–thin modulation with crisp, bracketed serifs and short, sturdy arms, producing compact counters and relatively tight apertures. Uppercase forms are broad and blocky, while the lowercase keeps a tall x-height and rounded bowls, maintaining a dense color across lines. Overall spacing and proportions favor impact over delicacy, with a stable upright stance and a consistent, disciplined rhythm.

It suits large-scale applications where strong typographic voice is needed: headlines, magazine/editorial titles, book covers, posters, and brand marks. The dense color and sculpted serifs also make it effective for packaging and signage that benefits from traditional cues with modern punch.

The font projects authority and certainty, balancing classic serif cues with a punchy, poster-like presence. Its sculpted terminals and bold massing evoke a retro editorial tone—confident, slightly dramatic, and built to command attention in headlines.

The design appears intended to deliver maximum presence with a classic serif framework, using flared terminals and high modulation to create a distinctive, carved headline texture. It prioritizes bold readability and recognizable lettershapes for impactful display typography.

The numerals and capitals read as particularly stout and graphic, with noticeable triangular/wedge details at terminals that add texture at large sizes. In paragraph-like samples it maintains a dark, even typographic color, suggesting it is best treated as a display serif rather than a quiet text face.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸