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Sans Normal Tymih 4 is a very bold, wide, medium contrast, upright, normal x-height font visually similar to 'Imago W1G' by Berthold, 'Murs Gothic' by Kobuzan, 'Plymouth Serial' by SoftMaker, and 'TS Franklin Gothic' and 'TS Plymouth' by TypeShop Collection (names referenced only for comparison).

Keywords: headlines, posters, branding, packaging, signage, confident, friendly, punchy, modern, utilitarian, strong presence, approachability, clarity, headline focus, brand utility, rounded, blocky, compact, high-impact, plainspoken.


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This typeface is a heavy, rounded sans with broad proportions and a compact, tightly filled silhouette. Strokes are thick and mostly uniform, with gently curved joins and softened corners that keep the color dense without feeling sharp. Counters are relatively small and round-to-oval, and terminals tend to be blunt and squared-off rather than tapered. The overall rhythm is stable and even, with straightforward construction and minimal modulation across curves and straight segments.

Best suited to display applications where impact and immediacy matter, such as headlines, posters, packaging, and bold brand statements. It also works well for signage and labels that need strong visual punch at a distance. For longer passages, it will be most effective in short bursts (subheads, callouts) where its dense texture supports emphasis.

The tone reads assertive and practical, with a friendly softness coming from the rounded geometry. It feels contemporary and no-nonsense, projecting clarity and strength rather than delicacy. The weight and width give it a poster-like presence that signals emphasis and confidence.

The design intent appears to prioritize high-impact legibility and a solid, modern presence while keeping forms approachable through rounded geometry. It aims for dependable, versatile display typography that can carry attention in branding and editorial headline contexts without relying on decorative quirks.

Uppercase forms are particularly blocky and sturdy, while lowercase stays simple and geometric, supporting clear word shapes at display sizes. Numerals follow the same robust, rounded logic and maintain strong presence alongside letters. Spacing appears designed to hold dense text lines without losing overall uniformity, though the heavy weight keeps counters and apertures visually tight.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸