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Free for Commercial Use

Sans Superellipse Talak 5 is a very bold, very narrow, medium contrast, upright, normal x-height font visually similar to 'Cimo' by Monotype, 'Hype vol 2' and 'Hype vol 3' by Positype, and 'Agharti' by That That Creative (names referenced only for comparison).

Keywords: headlines, posters, branding, signage, packaging, poster, industrial, retro, assertive, condensed, space-saving, impact, display, tall, blocky, compressed, high-impact, vertical.


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A tall, tightly condensed display sans with heavy, uniform strokes and a compact footprint. Curves are built from rounded-rectangle geometry, giving bowls and counters a squared-off softness rather than true circularity. Terminals are predominantly blunt and flat, with minimal modulation and crisp interior cut-ins that create a chiseled, stencil-like feel in places. The lowercase is narrow and simplified, with single-storey forms (notably a and g) and short crossbars that keep the rhythm vertical and dense; numerals follow the same compressed, blocky construction for consistent color in text.

Best suited to headlines, posters, and large-scale messaging where space is tight but impact is needed. It works well for branding marks, packaging panels, and signage that benefits from a strong vertical rhythm and compact line lengths. Use with restraint in body text, and consider added tracking for small sizes.

The overall tone is bold and uncompromising, with a strong vertical thrust that reads as industrial and attention-grabbing. Its superelliptical rounding adds a slightly retro, sign-painter poster energy while keeping the voice clean and modern. The compressed proportions and heavy weight give it a commanding, headline-first personality.

Likely designed to deliver maximum presence in a condensed width while maintaining a clean sans structure. The rounded-rectangle construction suggests an intention to blend industrial sturdiness with a slightly softened, retro-leaning geometry for memorable display typography.

In longer lines, the dense spacing and tall proportions create a dark, continuous texture, so careful tracking and generous line spacing can help maintain clarity. The rounded-rectangle counters remain open enough for display use, but the strongest results come from short phrases where the vertical rhythm can shine.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸