Sans Superellipse Ogban 9 is a bold, narrow, monoline, upright, normal x-height font visually similar to 'Gubia' by Graviton, 'Crimestopper JNL' by Jeff Levine, 'Gilkons' by Letterhend, 'Conthey' and 'Conthey Inline' by ROHH, and 'Rotundus' and 'Rotundus Rounded' by dayflash (names referenced only for comparison).
Keywords: headlines, posters, logos, packaging, signage, retro, friendly, techy, playful, industrial, display impact, geometric coherence, signage clarity, modern retro, rounded, compact, blocky, geometric, superelliptical.
A compact, geometric sans built from rounded-rectangle (superelliptical) forms with uniform stroke weight. Corners are consistently softened and terminals tend to end bluntly, giving letters a sturdy, molded look. Curves read as squared-off rounds rather than true circles, and counters are kept simple and open. The overall rhythm is tight and efficient, with a slightly condensed feel and clean, modular construction across caps, lowercase, and numerals.
Best suited for headlines, posters, branding marks, packaging, and signage where a compact, high-impact sans is needed. The rounded-rect geometry reads especially well in display typography, UI-style graphics, and short bursts of text where character and solidity are priorities.
The tone is confident and approachable, balancing a utilitarian, industrial presence with a playful softness from the rounded corners. Its squared curves suggest retro-futuristic and tech signage cues, while the heavy, simplified shapes keep it friendly and emphatic.
The design appears intended to deliver a strong display voice with a modular, superelliptical geometry that feels both retro and contemporary. It prioritizes bold legibility and visual uniformity, using rounded-square curves and blunt terminals to create a distinctive, systematized texture.
Distinctive superelliptical bowls and apertures make the design feel cohesive and system-like, especially in rounded letters and in numerals. The bold, simplified joins and minimal detailing help maintain clarity at larger sizes, while the tight interior spaces add punch in headline settings.