Sans Superellipse Okreh 6 is a bold, narrow, low contrast, upright, normal x-height font visually similar to 'Morgan Poster' by Feliciano and 'Headlines' by TypeThis!Studio (names referenced only for comparison).
Keywords: headlines, posters, branding, signage, packaging, industrial, retro, techy, compact, assertive, impact, space-saving, modernize retro, systematic geometry, rounded, rectilinear, condensed, monoline, squared.
A compact, heavy sans built from rounded-rectangle geometry, with monoline strokes and generously radiused corners. Counters tend to be small and squarish, giving letters a dense, blocky color while keeping edges soft. Curves resolve into flattened, superelliptic shapes, and joins are clean and mechanical rather than calligraphic. The overall spacing reads tight and efficient, with simplified forms that prioritize strong silhouettes over internal detail.
Best suited to headlines and short-to-medium text where a dense, high-impact texture is desirable—such as posters, packaging, storefront or wayfinding-style signage, and bold brand voice applications. It can also work for UI labels or product/tech identifiers when you want compact width and a sturdy, modern-industrial feel.
The font conveys a utilitarian, engineered tone—confident and sturdy with a distinctly retro-industrial flavor. Its rounded corners temper the mass, adding a friendly softness to an otherwise strict, grid-like construction. The result feels at home in technical or product-driven contexts where clarity and impact matter more than delicacy.
The likely intention is a contemporary display sans that borrows from mid-century and industrial lettering, translating it into a consistent superelliptic system. It aims to be space-efficient while maintaining strong legibility through simplified shapes, robust stems, and softened corners.
The design relies on consistent corner radii and squared terminals, producing a cohesive, modular rhythm across both uppercase and lowercase. Numerals and capitals have particularly strong sign-like presence, and the punctuation (notably the question mark) follows the same rounded-rect geometry for a unified texture in text.