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Sans Superellipse Femok 4 is a very bold, very narrow, low contrast, italic, normal x-height font visually similar to 'Karepe FX' by Differentialtype, 'Aureola' by OneSevenPointFive, 'Rockids' by Surotype, 'Kenyan Coffee' by Typodermic, and 'Competition' by sportsfonts (names referenced only for comparison).

Keywords: posters, sports branding, headlines, logos, packaging, sporty, retro, urgent, dynamic, industrial, impact, speed, compression, display, condensed, oblique, slanted, compact, rounded corners.


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A compact, forward-slanted sans with tall proportions and tight internal spacing. Strokes are heavy and uniform, with softened, rounded-rectangle curves that keep bowls and counters smooth rather than sharp. Terminals tend to be clean and clipped, producing a streamlined silhouette, while joins stay sturdy and blocklike. The overall texture is dense and rhythmic, with strong vertical emphasis and consistently narrow counters that remain open enough for display use.

Best suited for high-impact headlines, posters, and branding where a fast, condensed voice is helpful. It works well on sports or motorsport-themed materials, product packaging, and bold typographic lockups that need to occupy minimal horizontal space while staying loud. Use generous tracking and ample line spacing when setting longer phrases to preserve clarity.

The font projects speed and impact, with an assertive, performance-driven tone. Its slant and compressed build suggest motion and urgency, while the rounded geometry adds a controlled, engineered feel. The result is energetic and slightly retro, reminiscent of racing and athletic graphics.

The design appears intended to deliver maximum punch in a compressed footprint, combining an oblique stance with rounded, engineered shapes. It prioritizes immediacy and visual momentum, offering a cohesive display style that stays consistent across uppercase, lowercase, and numerals.

Caps and figures read as monoline, tightly fitted shapes, and round letters lean toward oval/superellipse forms rather than perfect circles. The numerals echo the same condensed, slanted construction, keeping headlines visually consistent. In longer lines the weight creates a strong black band, favoring short phrases over small, text-heavy settings.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸