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Sans Superellipse Etlod 5 is a very bold, very narrow, low contrast, italic, normal x-height font visually similar to 'Geogrotesque Sharp' by Emtype Foundry, 'Sztos' by Machalski, 'Classic Grotesque' by Monotype, 'Chuterolk' by Namara Creative Studio, 'Tablet Gothic' by TypeTogether, and 'Cervino' by Typoforge Studio (names referenced only for comparison).

Keywords: headlines, posters, sports branding, packaging, logos, urgent, sporty, loud, modern, compressed, compact impact, speed emphasis, modern signage, space saving, oblique, condensed, blocky, rounded, punchy.


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This typeface is a heavy, tightly compressed oblique sans with broad strokes and minimal contrast. Curves are built from rounded-rectangle geometry, giving bowls and counters a squarish softness rather than true circles. Terminals are clean and mostly blunt, with occasional angled cuts that reinforce forward motion. The overall rhythm is tall and compact, with narrow internal counters (notably in letters like O, P, and e) and sturdy joins that keep the texture dense and dark.

It performs best in attention-driven applications such as headlines, posters, sports and fitness branding, product packaging, and condensed logo wordmarks. The narrow footprint helps fit long titles into limited horizontal space while still reading bold at a distance. It is also suited to labels or signage where a compact, high-contrast-in-size (dark vs. light area) silhouette is desirable.

The tone is forceful and energetic, with a forward-leaning stance that reads as fast and assertive. Its compact width and dense color suggest a contemporary, competitive feel—more about impact than subtlety. The rounded-rectilinear shaping adds a controlled, industrial smoothness that keeps the aggression polished rather than rough.

The design appears intended to deliver maximum impact in a compact width, pairing a strong oblique stance with rounded-rectangular construction for a modern, engineered look. Its consistent stroke weight and blunt terminals prioritize clarity at display sizes and reinforce a fast, high-energy voice.

Uppercase forms are especially compact and uniform, creating strong vertical columns in display settings. Lowercase maintains the same condensed, superelliptical logic, producing a consistent, high-impact text color in headlines, though the small counters and tight proportions can make long passages feel intense. Numerals match the weight and slant closely for coherent mixed-case and alphanumeric settings.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸