Hollow Other Siti 4 is a very light, very wide, very high contrast, upright, tall x-height font.
Keywords: posters, headlines, logos, packaging, stickers, playful, retro, graphic, quirky, lively, attention-grabbing, decorative detail, retro flavor, graphic impact, outlined, inline, stencil-like, cartoonish, display.
An outlined, inline display face with open counters and frequent interior knockouts that create a hollowed, cut-paper effect. Strokes are drawn as thin contours with occasional solid wedges or inset shapes, producing a punchy light/dark rhythm despite the overall airy construction. Geometry leans toward simplified, sign-like forms: rounded bowls and circles sit alongside angular joins and flat terminals, with a generally steady cap height and a tall-looking lowercase. Spacing and widths feel intentionally irregular, reinforcing a hand-crafted, poster-oriented texture across words and lines.
Best suited for large-scale display settings such as posters, headlines, event graphics, and logo wordmarks where the outlined construction and cutout details can be appreciated. It can also work well on packaging and playful branding systems that benefit from a distinctive, graphic silhouette and a light, open texture.
The font reads as playful and slightly mischievous, mixing clean outline drawing with unexpected cut-ins that feel like vintage packaging or comic titling. Its contrasty inlines add a sense of motion and bounce, giving text a lively, attention-getting voice rather than a neutral one.
The design appears intended to reinterpret a bold display sans into an outline-and-knockout style, prioritizing characterful negative space and graphic surprises over strict uniformity. The goal is strong visual memorability in short phrases and titles, with decorative cutouts providing a recognizable signature.
The numerals and many capitals emphasize bold internal cutouts (notably round forms like O/0/8/9), while several letters introduce asymmetric notches and wedges that act like decorative inktraps or stencil breaks. The outline construction keeps large areas of white, so the face relies on size and contrasty details for impact rather than dense color.