Sans Superellipse Rimik 2 is a regular weight, narrow, medium contrast, upright, tall x-height font.
Keywords: headlines, branding, packaging, posters, ui labels, techy, sleek, futuristic, minimal, architectural, modernize, differentiate, space-saving, systematic, rounded-rect, monoline, condensed, geometric, square-rounded.
A condensed geometric sans built from rounded-rectangle and superellipse forms. Strokes are largely monoline with clean, squared terminals softened by consistent corner radii, producing a crisp, engineered outline. Counters tend toward rectangular/oval hybrids, and the overall rhythm is vertical and compact, with tall lowercase proportions and tight sidebearings that keep words visually dense while remaining orderly. Curves are controlled and symmetrical, with only a few glyphs introducing gentle diagonal or hook-like joins to maintain legibility within the squared system.
Best suited to headlines, logos, and packaging where a futuristic, engineered look is desirable. It also works well for interface labels, wayfinding-style captions, and short informational blocks where condensed width is an advantage. For long-form reading, it will typically perform better at generous sizes with comfortable tracking.
The font reads as modern and technical, with a streamlined, display-forward attitude reminiscent of digital interfaces, sci‑fi titling, and industrial labeling. Its rounded corners keep the tone approachable while the narrow, rectilinear construction conveys precision and efficiency.
The design appears intended to deliver a distinctive, tech-leaning voice by unifying the alphabet around rounded-rect geometry and condensed proportions. It prioritizes a consistent modular silhouette and compact word shapes for impactful display typography.
Distinctive superelliptical bowls and rounded corners create strong stylistic cohesion across uppercase, lowercase, and numerals. The compact width and tall lowercase make it feel optimized for short bursts of text, while the squared apertures and tight interior spaces can become visually busy at smaller sizes.