Sans Other Onti 3 is a very bold, wide, monoline, upright, normal x-height font.
Keywords: headlines, logotypes, gaming, ui labels, posters, futuristic, techno, arcade, industrial, geometric, tech aesthetic, strong branding, interface clarity, display impact, angular, squared, blocky, chiseled, stencil-like.
A heavy, angular sans with squared bowls and straight, monoline strokes that keep weight remarkably even throughout. Corners are predominantly hard and chamfered, with internal notches and cut-ins that create a carved, mechanical texture rather than smooth curves. Counters tend toward rectangular forms, and terminals are flat, producing a compact, block-constructed rhythm that stays legible at display sizes. The overall impression is modular and engineered, with distinctive glyph cuts that add personality without turning into ornament.
Best suited to display settings where its angular construction and cut-in details can be appreciated: game titles, esports branding, sci‑fi or industrial posters, product marks, and interface headings or short labels. It can work for compact blocks of copy in larger sizes, but the stylization is most effective for titles and signage-style lines.
The font reads as futuristic and system-like, with an arcade/console energy and an industrial edge. Its sharp geometry and “machined” ink traps evoke sci‑fi interfaces, robotics, and dystopian tech branding more than neutral text typography. It feels assertive and utilitarian, designed to signal precision and power.
The design intention appears to be a bold, modular techno sans that stays highly legible while projecting a constructed, machine-made aesthetic. The consistent stroke weight and squared geometry aim for a clean digital feel, while the carved notches add a distinctive voice for branding and screen-forward applications.
The signature detail is the repeated use of inset cuts and squared apertures, which introduces a subtle stencil/slot effect across many letters and numerals. This creates a strong silhouette identity in headlines and logos, but also makes the face feel intentionally stylized rather than generic.