Sans Other Jiha 2 is a bold, normal width, monoline, upright, normal x-height font.
Keywords: headlines, posters, logos, game ui, sci-fi titles, futuristic, techno, industrial, arcade, robotic, sci-fi styling, digital display, industrial labeling, modular construction, high impact, angular, square, chamfered, geometric, modular.
A blocky, geometric sans built from straight strokes and near-rectangular counters, with frequent chamfered corners that soften the otherwise rigid grid logic. Proportions are compact with a relatively low contrast texture, giving lines of text a dense, even color. Round forms are consistently squared-off (notably in O/C/G and 0), and diagonals appear mainly as sharp wedges in letters like K, M, N, V, W, X, Y, and Z. The lowercase follows the same modular construction, with single-storey forms and simplified terminals that keep the overall rhythm mechanical and consistent.
Best suited to display settings where its angular geometry can be appreciated: titles, posters, branding marks, packaging callouts, and on-screen UI for games or tech-themed projects. It can also work for short labels and signage-style applications where a compact, engineered look is desired.
The font projects a distinctly digital, sci‑fi tone—precision, machinery, and interface graphics rather than humanist warmth. Its squared curves and clipped corners evoke arcade cabinets, industrial labeling, and futuristic signage, reading as assertive and utilitarian.
The design appears intended to translate a rigid, grid-based construction into a readable sans, emphasizing squared curves, chamfered joins, and simplified, machine-like forms. The goal seems to be a cohesive futuristic voice that stays consistent across uppercase, lowercase, and numerals while maintaining a tight, high-impact texture.
Counters tend to be small and rectangular, and several glyphs rely on cut-in notches and hard angles for differentiation (for example the tails on Q/q and the segmented construction of S/s and 8). The strong rectangular geometry makes it highly stylistic, with a display-forward personality that becomes especially pronounced in longer text samples.