Sans Superellipse Idmub 6 is a very bold, normal width, low contrast, upright, normal x-height font visually similar to 'CF Blast Gothic' by Fonts.GR, 'Greater Neue' and 'Greater Neue Condensed' by NicolassFonts, 'Otoiwo Grotesk' by Pepper Type, 'Herokid' by W Type Foundry, and 'Herd' by Wahyu and Sani Co. (names referenced only for comparison).
Keywords: headlines, posters, branding, packaging, signage, sturdy, friendly, punchy, playful, retro, impact, approachability, display clarity, retro flavor, soft-cornered, blocky, compact, rounded, high-impact.
A heavy, block-like sans with rounded-rectangle construction and softly eased corners throughout. Strokes are uniform and dense, with compact apertures and counters that stay clear at display sizes, giving the letters a solid, poster-ready silhouette. Curves (C, G, O, S) read as superelliptical rather than purely geometric, while verticals and horizontals remain straight and emphatic; joins are smooth with minimal modulation. The lowercase is similarly weighty, with sturdy bowls and short, firm terminals, producing an even, dark typographic color.
Best suited to headlines, logo wordmarks, packaging, and signage where bold shapes and quick recognition matter. It performs especially well in short bursts of text—titles, calls to action, and labels—where its compact counters and rounded forms create strong impact without sharpness.
The overall tone is confident and approachable, pairing muscular mass with rounded edges that keep it from feeling aggressive. It evokes a retro sign-and-poster sensibility—bold, upbeat, and slightly cartoonish—while still reading clean and organized.
The design appears intended to deliver maximum visual presence with a friendly edge, using superelliptical rounds and softened corners to keep the weight feeling approachable. It aims for a simple, highly consistent construction that holds up in large-scale applications and graphic layouts.
Spacing appears generous enough for large headlines, but the heavy fill and relatively tight interior spaces can make long passages feel dense. The figures are robust and highly legible, matching the alphabet’s rounded-rect geometry for a consistent, cohesive voice.