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Serif Flared Tyfy 6 is a very bold, wide, low contrast, upright, normal x-height font visually similar to 'AC 1928' by Antoine Crama, 'Neilvard' by Arterfak Project, 'Agora' by Berthold, and 'Memo' by Monotype (names referenced only for comparison).

Keywords: headlines, posters, branding, packaging, signage, friendly, retro, folksy, confident, playful, display impact, vintage tone, approachable branding, textural color, soft corners, bracketed, flared terminals, rounded forms, sturdy.


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A heavy, compactly constructed serif with broad proportions and a strongly sculpted, flared finish on many stroke endings. Strokes stay largely even in thickness, with only subtle modulation, while the joins and corners are softened to avoid sharpness. Serifs and terminals read as wedged and slightly bracketed, giving letters a chiseled, hand-cut feel without becoming rough. Counters are relatively generous for the weight, and the overall rhythm is steady, with a mild bounce created by varied widths and distinctive terminal shaping.

Best suited to display applications where its weight and flared detailing can be appreciated: headlines, posters, logos and branding marks, product packaging, and signage. It can also work for short editorial callouts or pull quotes when you want a bold, personable voice.

The tone is warm and approachable, combining a nostalgic sign-painting flavor with confident, headline-ready presence. Its chunky silhouettes and softened edges keep it friendly rather than aggressive, suggesting classic advertising, packaging, and casual editorial display.

The design appears intended to deliver maximum impact with a friendly, vintage-leaning serif voice, using flared terminals and softened geometry to keep large, dark letterforms readable and characterful. The overall construction prioritizes strong silhouettes and a distinctive texture for branding and display typography.

In text settings, the dense color and pronounced terminals create a strong texture and clear word shapes, especially at larger sizes. The figures and lowercase share the same sturdy, rounded construction, supporting cohesive display typography.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸