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Free for Commercial Use

Sans Normal Nylul 4 is a very bold, wide, low contrast, upright, normal x-height font visually similar to 'Muller Next' by Fontfabric, 'Pluto Sans' by HVD Fonts, 'Remoto' by JAM Type Design, 'Gentona' by René Bieder, and 'TT Norms Pro' by TypeType (names referenced only for comparison).

Keywords: headlines, posters, branding, packaging, signage, friendly, confident, playful, retro, chunky, impact, approachability, display clarity, brand voice, rounded, soft corners, geometric, compact counters, sturdy.


Free for commercial use
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A heavy, rounded sans with broad proportions and a distinctly chunky color on the page. Strokes are uniform and monolinear, with soft, curved joins and subtly squared terminals that keep forms crisp rather than bubbly. Round letters lean geometric (O/C/G/Q) while many straight-sided shapes (E/F/T/H/N) feel blocky and stable, producing a firm rhythm in text. Counters are relatively compact at this weight, and the numerals follow the same stout, simplified construction for strong consistency across caps, lowercase, and figures.

Best suited to headlines and short statements where weight and clarity are priorities—posters, branding lockups, packaging, labels, and high-impact signage. It can work for UI or editorial callouts when used at larger sizes with generous spacing, but its dense, heavy texture is less suited to long-form reading at small sizes.

The overall tone is upbeat and approachable, with a confident, poster-like presence. Its rounded geometry and thick strokes give it a friendly, slightly retro voice that reads as bold and uncomplicated rather than technical or delicate.

The likely intent is a highly legible, high-impact display sans that remains warm and inviting through rounded geometry. It aims to deliver strong presence in branding and promotional settings while keeping letterforms simple and consistent for dependable reproduction.

The design balances circular bowls with straight, rectangular strokes, creating a lively mix of soft curves and hard edges. In longer text the dense texture becomes a defining feature, making spacing and line breaks an important part of the visual result.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸