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Free for Commercial Use

Sans Faceted Afwa 4 is a very bold, narrow, monoline, upright, normal x-height font visually similar to 'Privilege Sign JNL' by Jeff Levine, 'Dasport' by Pandeka Studio, 'Bronco Valley' by Variatype, 'Cosmic Lager' by Vozzy, and 'Buyan' by Yu Type (names referenced only for comparison).

Keywords: posters, headlines, signage, logos, packaging, industrial, western, assertive, vintage, masculine, display impact, space saving, signage feel, rugged styling, angular, chiseled, condensed, blocky, high-contrast corners.


Free for commercial use
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A condensed, heavy display face built from straight strokes and faceted corners in place of curves. Letterforms are tall and compact with tight internal counters and squared-off terminals that create a crisp, carved silhouette. Strokes stay largely uniform, while corners frequently break into small chamfers and notches that produce a segmented, planar rhythm. The overall texture is dense and dark, with strong vertical emphasis and sturdy, rectangular proportions across caps, lowercase, and numerals.

Best suited for short, high-impact text such as posters, headlines, branding marks, labels, and signage where the angular detailing can be appreciated. It can also work for apparel graphics and event or venue titling that benefits from a bold, condensed footprint and a rugged, carved look.

The faceted construction and compressed stance give the font a tough, no-nonsense voice that reads as industrial and poster-forward. Its chiseled edges and slabby presence also evoke vintage signage—particularly frontier, workshop, and old-time print aesthetics—while staying clean enough to feel modern and engineered.

Likely drawn to deliver a strong display voice that replaces curves with planar cuts, creating a carved/engineered aesthetic. The condensed proportions and heavy weight suggest an aim for maximum impact in limited horizontal space while maintaining a distinctive, faceted identity.

The design relies on distinctive corner cuts and inset joins to create character, which becomes most apparent at larger sizes. Because counters are compact and details are sharp, the face looks best when given enough size and spacing to keep interior shapes from filling in.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸