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Sans Faceted Afdi 8 is a very bold, very narrow, monoline, upright, normal x-height font visually similar to 'Analogy' by Jafar07, 'Curtain Up JNL' by Jeff Levine, 'Aureola' by OneSevenPointFive, 'Aptly' by Shinntype, and 'Bikemberg' by Umka Type (names referenced only for comparison).

Keywords: headlines, posters, logos, packaging, sports branding, industrial, authoritative, sporty, utilitarian, retro, space saving, high impact, machined aesthetic, signage feel, condensed, blocky, chamfered, angular, hard-edged.


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A condensed, heavy sans with a rigid, rectilinear build and faceted corners that replace most curves with angled chamfers. Strokes stay largely uniform, producing a compact, monolithic color with tight interior counters and minimal modulation. Terminals are squared-off and crisp, and rounded letters like C, G, O, and S are rendered as polygonal forms, reinforcing a machined, stencil-like geometry without actual breaks. The overall rhythm is tall and compressed, with assertive capitals and similarly narrow lowercase forms that maintain a consistent, vertical stance.

Best suited for short, high-impact settings such as headlines, posters, wordmarks, and packaging where a dense, compressed presence is desirable. It also fits athletic or industrial branding systems and signage-style graphics, particularly at medium to large sizes where the faceted details remain clear.

The faceted construction and dense weight give the font a tough, no-nonsense tone that feels industrial and authoritative. Its compressed proportions and sharp corners also evoke athletic signage and vintage display typography, projecting urgency and impact.

The design appears intended to deliver maximum impact in minimal horizontal space while maintaining a consistent, engineered look. By translating curves into planar facets and keeping stroke widths steady, it aims for a bold, rugged voice optimized for display-driven typography.

In text, the strong vertical emphasis and tight apertures can make similar shapes (such as I/l/1 and compact bowls) feel close in silhouette, especially at smaller sizes. It shines when allowed breathing room and clear contrast, where the angular cuts and geometric counters read as a deliberate stylistic signature.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸