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Free for Commercial Use

Stencil Isfi 9 is a bold, wide, low contrast, upright, normal x-height font visually similar to 'FF Signa', 'FF Signa Round', and 'FF Signa Stencil' by FontFont and 'Anele Pro' by Ole Sondergaard (names referenced only for comparison).

Keywords: posters, signage, packaging, headlines, logos, industrial, military, utilitarian, mechanical, authoritative, labeling, ruggedness, impact, thematic voice, construction, modular, geometric, blocky, angular, monolinear.


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A heavy, geometric sans with substantial stroke weight and squared-off terminals. Letterforms are built from broad, straight strokes with occasional round bowls, and are systematically interrupted by clean bridges that create a cut-out, modular construction. Curves (notably in C, G, O, Q, and numerals) are simplified and sturdy, with a consistent, monolinear feel and an overall broad footprint. The lowercase follows the same engineered logic, with compact joins and deliberate gaps that emphasize a fabricated, stencil-like rhythm.

Best suited to display settings where impact and a fabricated, marked-on aesthetic are desired—posters, album/film titles, product packaging, event graphics, and industrial or tactical-themed branding. It can work for short navigational labels and large-format signage where the stencil breaks reinforce the intended tone.

The design reads as functional and no-nonsense, evoking equipment labeling, shipping marks, and industrial wayfinding. The repeated breaks introduce a tactical, engineered tone—more rugged and technical than friendly—while maintaining strong presence and clear silhouette.

Likely drawn to deliver a robust, manufactured feel with the practicality and visual language of stenciled marking. The design prioritizes strong silhouettes and repeatable, modular construction, aiming for immediate recognition and a hard-edged thematic voice.

The bridges are placed consistently enough to feel intentional rather than distressed, giving the face a controlled, constructed look. In text, the strong verticals and wide stance create an assertive texture; the internal cutouts can become visually busy at smaller sizes, but add character and recognition at display scales.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸