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Free for Commercial Use

Sans Superellipse Jigod 5 is a very bold, normal width, monoline, upright, normal x-height font visually similar to 'Panton Rust' by Fontfabric, 'Evanston Tavern' by Kimmy Design, and 'Meltow' by Typesketchbook (names referenced only for comparison).

Keywords: posters, headlines, packaging, signage, logos, industrial, retro, playful, sturdy, friendly, high impact, rugged display, retro utility, friendly boldness, rounded corners, soft terminals, chunky, compact, blunt.


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A heavy, blocky sans with rounded-rectangle construction and consistently softened corners. Strokes are broadly even, with squared-off terminals and minimal contrast, creating a dense, high-ink silhouette. Counters tend to be small and squarish (notably in O, P, R, 8, 9), and joins are blunt, emphasizing a sturdy, compact texture in text. Curves read as superellipse-like rather than truly circular, and the overall rhythm is slightly irregular in a deliberate, cut-letter/hand-finished way rather than geometric precision.

Best suited for display settings where strong color and compact forms help text hold its ground—posters, headlines, product packaging, labels, wayfinding, and bold branding marks. It can also work for short UI callouts or badges where a sturdy, friendly tone is desired, but its dense counters suggest avoiding very small sizes.

The face projects a bold, utilitarian confidence with a friendly edge from its rounded corners. It feels retro and industrial—reminiscent of stenciled packaging, arcade-era display type, or rugged signage—while staying approachable and playful in longer phrases.

The design appears intended to deliver maximum impact with rounded-rect geometry: a tough, high-visibility sans that reads quickly while signaling an industrial-retro character. The softened corners and compact interiors suggest an aim for friendliness and durability rather than sharp, technical minimalism.

Lowercase forms are simplified and compact, with single-storey shapes and short ascenders/descenders that keep lines visually tight. The numerals are robust and open at display sizes, with an especially compact 2 and a wide, stacked 8 that reinforce the squared, softened theme.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸