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Free for Commercial Use

Serif Flared Pyda 5 is a very bold, wide, low contrast, upright, normal x-height font visually similar to 'Whitney' by Hoefler & Co., 'JAF Domus Titling' by Just Another Foundry, 'Adagio Sans' by Machalski, 'Accia Flare' by Mint Type, and 'Modet' by Plau (names referenced only for comparison).

Keywords: headlines, posters, packaging, branding, editorial, confident, classic, hearty, traditional, impact, heritage, readability, display, authority, flared, bracketed, bulky, robust, rounded.


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A very heavy serif with pronounced flared terminals and softly bracketed serifs that broaden out from the stems. The overall construction is upright and sturdy, with generous, open counters and a compact, blocky silhouette that keeps forms readable at large sizes. Curves are full and slightly squared off, giving rounds like O/C and bowls a solid, weighty feel. Stroke endings often swell rather than cut sharply, creating a subtle wedge-like finish that adds texture without introducing high contrast.

This font is best suited to headlines, titles, and short blocks where its mass and flared detailing can be appreciated. It works well for editorial display, book or magazine titling, branding marks, and packaging that benefit from a traditional, high-impact voice. Because of its heaviness, it is more effective for larger sizes than for dense, small body text.

The tone is bold and authoritative with a traditional, print-forward sensibility. Its chunky shapes and flared finishing details feel familiar and heritage-leaning, while the width and weight give it a confident, headline-ready presence. Overall it reads as sturdy, emphatic, and slightly old-style in spirit rather than sleek or technical.

The design appears intended to deliver maximum impact while retaining serif tradition through flared, bracketed finishing and ample counters. It aims for a bold, familiar display character that feels grounded and durable, balancing decorative terminal shaping with straightforward letterforms for clear, assertive messaging.

The lowercase shows sturdy, compact joins and a strong baseline presence, with dots and punctuation rendered as substantial, simple forms. Numerals are large and weight-matched to the letters, maintaining the same broad, flared finishing behavior for a consistent texture in display settings.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸