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Sans Superellipse Talig 9 is a very bold, very narrow, medium contrast, upright, normal x-height font visually similar to 'ATF Alternate Gothic' by ATF Collection, 'Explorer' and 'Motel Xenia' by Fenotype, 'Miguel De Northern' by Graphicxell, 'Neue Helvetica' by Linotype, 'Interlaken' by ROHH, and 'Chairdrobe' by XTOPH (names referenced only for comparison).

Keywords: posters, headlines, packaging, signage, logos, industrial, retro, punchy, utilitarian, stamped, space saving, high impact, vintage print, rugged utility, brand presence, condensed, blocky, rounded corners, ink-trap feel, distressed texture.


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A condensed, heavy sans with rounded-rectangle construction and softened corners throughout. Strokes are thick and largely uniform, with subtly squared curves and tight internal counters that emphasize a compact, vertical rhythm. Many joins and terminals show small notches or scooped cut-ins that read like ink traps, and the outlines carry a lightly worn, speckled texture that suggests imperfect printing. Numerals match the compressed proportions and sturdy, sign-like weight, keeping forms simple and high-impact.

Best suited to headlines and short display settings where its dense width and heavy strokes create immediate impact. It works well for posters, packaging labels, signage, and bold logotypes that benefit from a compact footprint and an industrial/retro voice; for longer text, it will be most comfortable at larger sizes due to its tight counters and strong color.

The overall tone is bold and workmanlike, mixing an industrial, poster-ready presence with a faintly vintage, printed-wear character. It feels assertive and no-nonsense, with a touch of grit that adds personality without turning decorative.

The design appears intended to deliver maximum impact in minimal horizontal space, using rounded-rectangle geometry for a cohesive, modern skeleton while adding trap-like cut-ins and a subtle worn texture to evoke printed ephemera and rugged utility.

Spacing appears relatively tight in running text, reinforcing the compressed, vertical cadence and making the texture more noticeable at larger sizes. Rounded corners keep the heavy weight from feeling harsh, while the small cut-ins at curves and joins add a functional, engineered flavor.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸