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Free for Commercial Use

Distressed Ranis 5 is a very bold, very narrow, high contrast, upright, tall x-height font visually similar to 'Akkordeon' by Emtype Foundry, 'CF Blast Gothic' by Fonts.GR, 'Neue Helvetica' by Linotype, 'Robuck' by Martype co, 'MC Laozheng' by Maulana Creative, and 'Maleo' by Tokotype (names referenced only for comparison).

Keywords: posters, headlines, packaging, labels, merchandise, gritty, industrial, pulp, rowdy, retro, maximum impact, vintage print, rugged texture, compact display, headline strength, roughened, weathered, compressed, blunt, ink-trap.


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A heavy, condensed display face with a compact footprint and tall lowercase that stays prominent beside the caps. The letterforms are built from chunky, squared-off strokes and simplified geometry, with slightly uneven widths and a tightly packed rhythm. Distress shows up as eroded edges and mottled interior voids, producing a stamped/printed texture rather than smooth curves. Counters are relatively small, terminals are abrupt, and the overall silhouette feels sturdy and blocklike even where curves appear (C, O, S).

Best suited for short, punchy text—posters, headlines, album or event graphics, packaging, and label-style applications where texture is desirable. It can also work for badges, logos, and pull quotes when set with ample spacing and kept at display sizes for clarity.

The texture and compressed heft give it a loud, rugged attitude—like worn signage, crate stencils, or ink-heavy poster type. It reads as energetic and gritty, with a utilitarian toughness that leans vintage and a bit mischievous.

The design appears intended to deliver maximum impact in a compact width while adding a pre-worn print texture. It aims to evoke rugged, analog production—like ink on rough paper or aged signage—without sacrificing a bold, legible silhouette.

The distress is consistent across glyphs and becomes more noticeable at larger sizes, where the speckling and edge wear turn into a defining graphic feature. Tight apertures and small counters suggest it benefits from generous tracking and strong contrast against clean backgrounds.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸