Sans Superellipse Afban 16 is a light, normal width, low contrast, upright, normal x-height font visually similar to 'Domotika Pro' by Zetafonts (names referenced only for comparison).
Keywords: ui text, product design, editorial, signage, dashboards, clean, modern, friendly, neutral, techy, legibility, modern neutrality, geometric consistency, approachability, monoline, rounded, open apertures, geometric, airy.
This typeface is a monoline sans with rounded-rectangle construction that keeps curves smooth and corners gently softened. Proportions lean geometric with consistent stroke weight and clear, open counters; round letters like O and Q read as slightly squarish (superellipse-like) rather than purely circular. Terminals are clean and mostly straight-cut, producing crisp joins in forms like K, V, W, and Y, while bowls and shoulders maintain an even, controlled rhythm. Numerals match the same geometry, with a simple, readable 1 and a balanced, open 4/7 that stay consistent with the overall rounded structure.
It works well for UI copy, product interfaces, and dashboards where consistent rhythm and clear letterforms help scanning. The rounded geometry also suits contemporary branding systems and wayfinding/signage that benefit from a clean, approachable voice, while remaining readable in longer editorial passages.
The overall tone is contemporary and approachable, combining a technical neatness with soft-edged warmth. Its restrained, even texture keeps it neutral enough for interface and informational settings while the rounded geometry adds a friendly, modern character.
The design appears intended to deliver a modern, highly legible sans with a distinctive rounded-rectangular skeleton—balancing geometric consistency with a soft, accessible finish. Its character suggests a focus on clarity and calm typographic color for everyday digital and print communication.
Spacing appears comfortable and even, supporting a steady text color in the sample paragraph. Several forms emphasize clarity through open apertures (notably in c, e, and s), and the lowercase shows a straightforward, utilitarian construction that prioritizes legibility over stylistic flourish.