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Free for Commercial Use

Sans Superellipse Bodom 11 is a very light, narrow, low contrast, upright, tall x-height font.

Keywords: headlines, logotypes, ui labels, posters, branding, minimalist, futuristic, technical, elegant, airy, geometric purity, modern display, technical clarity, systematic design, monoline, rounded, geometric, condensed, superelliptic.


Free for commercial use
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A monoline sans built from rounded-rectangle (superellipse-like) forms, with gently softened corners and long, continuous curves. Strokes stay consistently thin and even, giving the design a clean outline-drawn feel. Proportions are vertically oriented, with compact widths and a notably tall lowercase structure; bowls and counters are narrow and neatly contained. Terminals are smooth and rounded, and the overall rhythm is orderly and engineered, with clear geometric construction in letters like O, Q, and U and similarly streamlined numerals.

Best used for headlines, short text, and interface or product labeling where a sleek, contemporary voice is desired. It can work well in branding and logotypes that benefit from a minimal, geometric signature, and in posters or editorial display settings where its airy construction can breathe.

The overall tone is cool, precise, and modern—more architectural than expressive. Its restrained line weight and rounded geometry suggest a contemporary, tech-forward aesthetic that feels light, refined, and slightly futuristic.

The font appears designed to explore a superelliptic, rounded-rectangle construction in a highly refined monoline style, prioritizing geometric consistency and a modern, technical personality. The tall, compact forms and smooth terminals point to an intention for contemporary display typography that reads as clean and engineered.

The design emphasizes continuity and symmetry, with many characters sharing the same rounded-rectangular skeleton, creating strong visual consistency across uppercase, lowercase, and figures. Curved joins and minimal modulation keep forms crisp at display sizes, while the very thin strokes and tight interiors make it better suited to larger settings than dense body text.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸