Sans Superellipse Byneb 10 is a very light, narrow, monoline, upright, normal x-height font.
Keywords: headlines, posters, ui display, wayfinding, branding, futuristic, technical, minimal, clean, modular, modernization, system design, space saving, tech aesthetic, geometric coherence, rounded corners, rectilinear, condensed, geometric, display.
A condensed geometric sans built from rounded-rectangle (superellipse) strokes and consistent monoline construction. Forms favor straight verticals and horizontals with softened corners, producing squarish counters in letters like O, D, and Q. Curves are tightly controlled and often transition into flats, giving the alphabet a modular, engineered rhythm. Spacing reads even and disciplined in text, with tall proportions, a modest x-height relative to the long ascenders/descenders, and simplified joins that keep the texture airy.
Best suited to headlines, labels, and interface/display applications where a compact, technical aesthetic is desired. It can work well for signage and wayfinding systems that benefit from narrow widths and consistent stroke behavior, and for branding in technology, electronics, or modern lifestyle contexts. In longer passages, its light weight and condensed build suggest using larger sizes and generous leading for comfortable reading.
The overall tone is sleek and forward-leaning in a sci‑fi/tech sense without being aggressive. Rounded corners soften the geometry, making it feel approachable while still precise and schematic. The narrow, tall silhouettes contribute a streamlined, space-efficient voice.
The design appears intended to translate rounded-rect geometry into a coherent, modern sans with a strong modular identity. By keeping strokes uniform and corners consistently softened, it aims for a clean, system-like look that remains friendly rather than sterile.
Distinctive details include squared, rounded-corner bowls (notably in O/0), a single-story “a,” and numerals that echo the same rounded-rect architecture for a cohesive alphanumeric set. The light stroke and condensed proportions prioritize clarity at larger sizes, where the superelliptical geometry and minimal modulation are most legible.