Sans Superellipse Asdip 5 is a light, very narrow, monoline, upright, tall x-height font.
Keywords: posters, headlines, branding, packaging, signage, art deco, minimal, elegant, retro, architectural, deco revival, space saving, display impact, geometric clarity, condensed, geometric, rounded, clean, airy.
A condensed, monoline sans with a strong vertical emphasis and rounded-rectangle construction throughout. Curves resolve into soft superelliptic terminals, while counters tend to be narrow and tall, giving the alphabet a streamlined, columnar rhythm. Stroke contrast is essentially absent, spacing is tight but consistent, and joins are clean and controlled, producing a crisp, graphic texture in text. Numerals follow the same tall, narrow proportions and rounded corners, maintaining a uniform silhouette across the set.
Best suited for display settings where its condensed, Deco-leaning geometry can define a mood—posters, editorial headlines, wordmarks, packaging, and storefront or wayfinding signage. It also works well for short UI labels or data callouts when space is limited and a sleek, stylized voice is desired.
The overall tone feels refined and metropolitan, with a clear nod to Art Deco signage and modernist display lettering. Its slim proportions and rounded geometry read as stylish and composed rather than utilitarian, lending an understated sophistication to headlines and branding.
The letterforms appear designed to deliver a distinctive, era-referential look using a consistent rounded-rectangle geometry and a disciplined monoline construction. The intention seems to balance clarity with style, prioritizing a memorable vertical rhythm and compact width for space-efficient display typography.
The design relies on repeated vertical stems and elongated bowls, which creates a strong pattern at larger sizes. Round characters like O, Q, and 0 are notably tall and pill-shaped, reinforcing the font’s architectural consistency. In continuous text the tight, vertical rhythm can feel compressed, making it better suited to short lines and controlled typographic layouts.