Font Hero

Free for Commercial Use

Sans Superellipse Ragid 2 is a bold, very narrow, low contrast, upright, tall x-height font visually similar to 'Coign' by Colophon Foundry, 'Resolve Sans' by Fenotype, 'Hype vol 2' by Positype, 'Ggx89' by Typodermic, 'Herokid' by W Type Foundry, and 'Heading Now' by Zetafonts (names referenced only for comparison).

Keywords: headlines, posters, branding, signage, packaging, modern, utilitarian, poster-ready, urban, assertive, space-saving, headline, impact, clarity, condensed, high-waisted, vertical stress, rounded corners, straight-sided.


Free for commercial use
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A tightly condensed sans with tall proportions and a strong, even stroke presence. Curves are built from rounded-rectangle/superellipse-like shapes, creating squarish counters and straight outer sides, while terminals remain clean and unembellished. The overall texture is dense and vertical, with compact apertures and a consistent, disciplined geometry that reads sharply in display settings.

It will perform best in headlines, posters, packaging, and branding systems where a tall, compressed silhouette helps fit long words without sacrificing presence. The firm, blocky rhythm also suits editorial display lines, signage, and digital hero text that needs a modern, utilitarian voice. For extended small-size text, the tight spacing and condensed shapes may feel dense, so it’s better used as a display face than a primary text workhorse.

The tone is modern and assertive, with an urban, poster-oriented energy. Its compact geometry and rounded-rectangle curves feel functional and engineered rather than friendly, giving it a direct, contemporary voice suited to bold statements and strong visual hierarchy.

This font appears designed to deliver strong impact in minimal horizontal space, using condensed proportions, sturdy strokes, and simplified, straight-sided construction. Rounded-rectangle curves and tight apertures keep the forms crisp and controlled, aiming for a contemporary, no-nonsense tone that stays legible at large sizes. The overall intention reads as attention-grabbing display typography with a disciplined, engineered feel.

Letterforms show a consistent straight-sided architecture with rounded corners, producing squarish bowls in letters like O/C/G and a compact, vertical rhythm. Uppercase forms are particularly tall and imposing; lowercase maintains a similarly narrow footprint with simple terminals and minimal modulation, reinforcing a clean, industrial texture across lines.

120px
108px
96px
84px
72px
64px
56px
48px
44px
40px
36px
32px
30px
28px
26px
24px
22px
20px
19px
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9px
8px
Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸