Sans Superellipse Ragid 2 is a bold, very narrow, low contrast, upright, tall x-height font visually similar to 'Coign' by Colophon Foundry, 'Resolve Sans' by Fenotype, 'Hype vol 2' by Positype, 'Ggx89' by Typodermic, 'Herokid' by W Type Foundry, and 'Heading Now' by Zetafonts (names referenced only for comparison).
Keywords: headlines, posters, branding, signage, packaging, modern, utilitarian, poster-ready, urban, assertive, space-saving, headline, impact, clarity, condensed, high-waisted, vertical stress, rounded corners, straight-sided.
A tightly condensed sans with tall proportions and a strong, even stroke presence. Curves are built from rounded-rectangle/superellipse-like shapes, creating squarish counters and straight outer sides, while terminals remain clean and unembellished. The overall texture is dense and vertical, with compact apertures and a consistent, disciplined geometry that reads sharply in display settings.
It will perform best in headlines, posters, packaging, and branding systems where a tall, compressed silhouette helps fit long words without sacrificing presence. The firm, blocky rhythm also suits editorial display lines, signage, and digital hero text that needs a modern, utilitarian voice. For extended small-size text, the tight spacing and condensed shapes may feel dense, so it’s better used as a display face than a primary text workhorse.
The tone is modern and assertive, with an urban, poster-oriented energy. Its compact geometry and rounded-rectangle curves feel functional and engineered rather than friendly, giving it a direct, contemporary voice suited to bold statements and strong visual hierarchy.
This font appears designed to deliver strong impact in minimal horizontal space, using condensed proportions, sturdy strokes, and simplified, straight-sided construction. Rounded-rectangle curves and tight apertures keep the forms crisp and controlled, aiming for a contemporary, no-nonsense tone that stays legible at large sizes. The overall intention reads as attention-grabbing display typography with a disciplined, engineered feel.
Letterforms show a consistent straight-sided architecture with rounded corners, producing squarish bowls in letters like O/C/G and a compact, vertical rhythm. Uppercase forms are particularly tall and imposing; lowercase maintains a similarly narrow footprint with simple terminals and minimal modulation, reinforcing a clean, industrial texture across lines.