Sans Normal Tybaz 12 is a bold, wide, high contrast, upright, normal x-height font visually similar to 'Oblik Classic' by Tour De Force and 'Blacker Sans Pro' by Zetafonts (names referenced only for comparison).
Keywords: headlines, posters, branding, packaging, book covers, confident, authoritative, editorial, traditional, robust, impact, readability, heritage, presence, bracketed, ink-trap, sturdy, crisp, compact.
A heavy, display-forward roman with strong vertical stems and pronounced contrast between thick and thin strokes. The letterforms show softened, subtly bracketed terminals and small wedge-like finishing details that keep edges crisp without feeling geometric. Counters are generally compact and round-to-oval, with tight joins and a steady rhythm that holds together well at large sizes. Numerals and capitals read sturdy and centered, while lowercase forms maintain a conventional, text-like structure with a firm baseline and solid dots on i and j.
Best suited for headlines, subheads, and other prominent settings where strong color and clear shapes are needed. It can work well for branding and packaging that wants a classic, authoritative tone, and for book or magazine covers where dense, high-impact typography is desirable.
The overall tone is assertive and dependable, with an editorial seriousness that suggests legacy print and headline typography. Its weight and contrast give it a formal, declarative voice, while the softened terminals add a restrained warmth rather than a stark, industrial feel.
The font appears designed to deliver a forceful, editorial presence: traditional proportions and recognizable letterforms paired with heavier weight and crisp detailing for attention-grabbing display use. The controlled contrast and compact counters suggest an intention to stay legible and cohesive while maximizing visual impact.
The design favors impactful silhouettes and clear word shapes, with notable emphasis on verticality and compact interior spaces. Round characters (like O, C, G) keep a controlled, slightly squarish oval impression, and the figures appear built for emphasis rather than neutrality.