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Free for Commercial Use

Solid Lyri 3 is a very bold, normal width, low contrast, upright, tall x-height font visually similar to 'Chamelton' by Alex Khoroshok, 'Fattty' by Drawwwn, 'BAQ Rounded' by HyperFluro, 'De Fonte Plus' by Ingo, and 'Big Black' by T-26 (names referenced only for comparison).

Keywords: posters, headlines, packaging, kids, stickers, playful, chunky, goofy, cartoon, blob-like, maximum impact, graphic poster, humorous display, toy-like warmth, silhouette-driven, rounded, soft, puffy, irregular, inkblot.


Free for commercial use
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A heavily rounded, soft-edged display face with swollen strokes and lumpy, irregular contours that feel almost molded rather than drawn. Counters are frequently collapsed or reduced to small pinholes, giving many letters a near-solid silhouette and a strong black footprint on the page. Proportions lean compact and bouncy, with simple construction and minimal interior detail; joins and terminals are consistently bulbous and cushioned. Spacing and widths vary noticeably across glyphs, reinforcing an informal, hand-shaped rhythm in both caps and lowercase, while numerals match the same blobby massing and simplified forms.

Best suited for short display settings such as posters, headlines, playful branding, packaging, and kid-oriented materials where a bold, friendly silhouette is an advantage. It can also work for stickers, merch, and social graphics where maximum visual impact is needed and size can remain large.

The overall tone is playful and comedic, with a squishy, toy-like warmth that reads as friendly rather than formal. Its dense shapes and near-filled interiors create an inkblot punchiness that feels loud, mischievous, and attention-seeking.

The design appears intended to maximize visual mass and personality through rounded, irregular silhouettes and intentionally minimized counters, creating a near-solid, stamp-like look. It prioritizes humor, immediacy, and graphic impact over fine detail or small-size readability.

Because many interiors close up, letter differentiation relies strongly on exterior silhouette; the font is most legible at larger sizes and with generous tracking. The texture in paragraphs is very dark and continuous, producing a strong poster-like presence rather than a typical text rhythm.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸