Sans Other Tefu 3 is a light, normal width, low contrast, upright, normal x-height font.
Keywords: headlines, posters, logotypes, ui labels, sci-fi titles, techy, futuristic, modular, geometric, minimal, tech aesthetic, display impact, modular system, geometric clarity, angular, monoline, squared, wireframe, stencil-like.
A sharply geometric, monoline sans built from straight strokes and right angles, with frequent open corners and segmented joins that give many letters a constructed, modular feel. Curves are largely replaced by squared arcs and broken outlines, producing boxy bowls and angular diagonals. Stroke endings are clean and blunt, counters tend to be rectangular, and several glyphs use deliberate gaps to suggest forms rather than fully close them. The overall rhythm is slightly irregular due to differing letter widths and the mix of fully enclosed vs. open shapes, which reads clearly at display sizes but becomes more intricate in continuous text.
Best suited for headlines, titles, branding marks, and short UI or wayfinding labels where its modular construction can read as a feature. It also works well for science-fiction or tech-themed graphics, product packaging, and motion design overlays. For long paragraphs, it’s more effective when sized generously and spaced to preserve the intentional gaps and angular details.
The font projects a futuristic, technical tone—like interface lettering, sci‑fi signage, or schematic labeling. Its open corners and grid-based geometry create a coded, engineered personality that feels precise, digital, and intentionally synthetic rather than friendly or organic.
The design appears intended to reinterpret a neutral sans through a grid-driven, constructed approach, emphasizing straight lines, squared bowls, and purposeful breaks. The goal seems to be a distinctive techno display voice that remains legible while clearly signaling a digital, engineered aesthetic.
The lowercase follows the same angular construction as the uppercase, with distinctive, simplified forms (notably single-storey shapes and squared terminals) that keep the style consistent. Numerals and punctuation adopt the same segmented logic, reinforcing a system-like, modular aesthetic across the set.