Sans Other Tigi 1 is a very light, normal width, monoline, upright, normal x-height font.
Keywords: headlines, logotypes, interfaces, posters, wayfinding, techno, modular, futuristic, schematic, minimal, futurism, system design, geometric experiment, technical display, digital aesthetic, angular, geometric, rectilinear, square, wireframe.
A rectilinear, geometric sans built from straight strokes and crisp 90° corners, with occasional diagonals for forms like A, K, V, W, X, and Y. Curves are largely avoided in favor of squared counters and boxy bowls, giving letters like O, D, P, and Q a framed, constructed look. Strokes maintain an even, hairline-like thickness and the rhythm is airy, with open apertures and simplified joins that keep the texture light and technical in blocks of text. Numerals follow the same blueprint logic, using segmented, angular forms that read like a simplified display system rather than conventional rounded figures.
This design is best suited to display settings where its geometric construction can be appreciated—headlines, titles, branding marks, and tech-oriented graphics. It can also work for UI labels or signage-style applications when a schematic, futuristic tone is desired, while longer passages may benefit from generous size and spacing to preserve clarity.
The overall tone is futuristic and engineered, evoking circuitry, CAD schematics, and modular signage. Its strict geometry and near-absence of curves creates a cool, clinical feel that reads as digital and experimental rather than humanist or friendly.
The font appears intended as a modular, straight-line sans that prioritizes a constructed, machine-made aesthetic over traditional typographic curves. Its consistent stroke logic and squared forms suggest a deliberate attempt to create a coherent “system” feel appropriate for futuristic and technical themes.
Distinctive details include squared, box-derived bowls, a single-storey "a", and sharp, linear terminals that emphasize a drawn-with-a-ruler construction. The uppercase set appears especially architectural, while the lowercase keeps the same structure for a consistent, system-like voice.