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Free for Commercial Use

Sans Normal Osbes 6 is a very bold, normal width, low contrast, upright, normal x-height font visually similar to 'Gimbal Grotesque' by AVP, 'Myriad' by Adobe, 'Aspira' by Durotype, 'Kyrial Sans Pro' by Mostardesign, 'Belle Sans' by Park Street Studio, and 'Rehn Condensed' by moretype (names referenced only for comparison).

Keywords: headlines, posters, packaging, logos, signage, friendly, retro, playful, chunky, confident, impact, approachability, display clarity, brand voice, rounded, soft, sturdy, compact, bouncy.


Free for commercial use
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A heavy, rounded sans with soft, blunted terminals and broadly curved joins. The letterforms feel compact and sturdy, with generous interior curves and minimal stroke modulation that keeps the color even across lines. Counters are relatively tight in letters like a, e, and s, while bowls are wide and smooth, giving the type a buoyant rhythm. The lowercase shows single‑storey a and g, a tall, simple t, and a compact e with a small aperture; figures are bold and open, with a rounded 0 and sturdy, geometric 1–9 silhouettes.

Best suited to headlines, short blocks of copy, and bold typographic statements where its rounded mass and even color can lead the layout. It works well for posters, packaging, signage, and brand marks that want an inviting, retro-leaning voice, and can also serve as an accent type alongside a more neutral text face.

The overall tone is warm and approachable, leaning toward a retro display sensibility rather than a neutral text voice. Its chunky shapes and rounded corners add a playful, informal character that reads as friendly and confident at headline sizes.

The design appears intended to deliver maximum impact with a friendly, rounded silhouette—prioritizing strong presence and smooth curves over fine detail. It aims for a contemporary take on classic heavy display sans forms, optimized for attention-grabbing communication and approachable branding.

In the sample text, the dense weight produces strong typographic “ink” and clear word shapes, but the tighter apertures and counters suggest more comfortable use at larger sizes or with increased tracking. The design maintains consistent curvature across rounds and diagonals, helping it feel cohesive in mixed-case settings.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸