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Sans Normal Norad 4 is a very bold, normal width, low contrast, upright, normal x-height font visually similar to 'Graublau Sans Pro' by FDI, 'Gaultier' by Machalski, 'Quire Sans' by Monotype, and 'Monterchi' by Zetafonts (names referenced only for comparison).

Keywords: headlines, posters, packaging, logos, kids media, playful, friendly, retro, chunky, bubbly, impact, approachability, retro flavor, playfulness, brand voice, soft corners, rounded terminals, lively rhythm, quirky, display.


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This typeface is heavy and compact, built from broad, rounded strokes with minimal modulation and softened corners throughout. Forms lean toward squarish rounds rather than perfect circles, producing a sturdy, cushioned silhouette. Counters are relatively tight (notably in O, B, and 8), and joins are smooth, giving the alphabet a continuous, blobby texture. Uppercase letters read blocky and stable, while lowercase introduces more character through simplified bowls, short extenders, and slightly irregular widths that create an organic rhythm. Numerals are bold and roomy in weight, with clear, simple shapes and strong vertical presence.

Best suited to headlines and short blocks of text where its heavy, rounded shapes can deliver impact without losing clarity. It works well for posters, packaging, branding marks, and playful editorial callouts, especially where a friendly retro tone is desired. In longer text, it will be most comfortable at larger sizes due to its dense counters and strong black footprint.

The overall tone is upbeat and approachable, with a distinctly retro, cartoon-adjacent friendliness. Its chunky weight and rounded construction feel informal and welcoming, more expressive than neutral, while still remaining clean enough to read at larger sizes.

The letterforms appear designed to deliver maximum presence with a soft, approachable feel—combining a bold, attention-grabbing color with rounded geometry to keep the voice friendly. The slightly quirky lowercase and varied widths suggest an intention to feel lively and human rather than strictly uniform.

The design shows a deliberate mix of sturdy uppercase structure and more idiosyncratic lowercase proportions, which adds personality in text settings. Stroke endings are consistently rounded, helping the dense weight feel softer and less aggressive, and the spacing rhythm benefits from the slightly varied letter widths.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸